quarta-feira, 30 de julho de 2008

after Rembrandt



Baseado na pintura "Homem usando capacete de ouro" de Rembrandt. 1 hora, Photoshop e Painter.

Character Sketch


1 hora, Painter X.

terça-feira, 29 de julho de 2008

Self-portrait Rembrandt' style
























Texto postado no fórum que originou essa idéia (www.pixelbrush.net):

*****WARING - big story with bad english ahead*****

I'm a lucky guy. I live in a big city that has a museum with a original Rembrandt Self Portrait ( I 'm trying to find a picture of this painting online, but I don't know the exact name or year...). But I didn't know that until the day I went to the MASP museum to see another exposition, French Impressionists I guess. I love Impressioninsm too, but when I was walking around the place I saw in a distant wall a very familiar face.

I went right trought the room and stoped in front the yellow line on the floor, in front of my ol budy Rembrandt. As I'm a tall guy, i could stand with my feet above the yellow line but my nose could be 5cm from the canvas. Acctually it's a wood plate, pretty heavy one, it's a little bent, the time is restless. Of course, the security guard asked me to not get that close. I never touched the painting, for respect, but I couldn't resist being 2 metters away and he kept looking at me for almost a half-hour.

About Rembrandt's painting, it's amazing how simple the brush strokes are, he used very little oil and the wood texture is visible in some parts away from the face. From a certain distance, the light illusion is better than a photografy, but with no distance at all, the brush strokes are fresh and simple.

There isn't too much color, just hints of oil...it's a very monochromatic pallete, as the light was his subject. Of course, HE was the real subject and this makes think why he did so many self-portraits. I belive it was for practicing and to have a good 'portfolio' to get comissions. If there wasn't any model avaliable, the mirror would always be there.

**********************

Enough blah blah, I started this weeks ago and I wasn't sure if it would work. I wanted to paint a classic portrait (or classical portrait, wich on is correct?!?!) in Rembrandt style, with a candle light source, lot's of dark shadows and bright light on the face. I shot several pictures of myself with a camera, no flash, it took me some time to get a picture i liked. I such at photografy. Anyway, I'm only using these pictures as reference, to get the proportions and general drawing / composition right. Since last "session" I started to use a mirror and the same light. Boy that's a change, I'm tired of just copying photos!

For the painting i didn't wanted to paint myself in old costumes because I think that a self-portrait serves as a record of the time that the artist painted it. So i posed like Rembrandt did a few times with his tools in hands, but i changed the camera angle, the tools and costumes. It's the clothes I use everyday (the jacket only when it's cold haah), and the tools I use to paint.

What you'll see here may look simple but It took me a lot of time so far.. the initial sketch was the hardest part , I had to keep it simple yet correct.. I 'm trying to learn something from the old masters and something I see a lot are the straight lines in construction drawings.. I first started with the general silhuette, using straight lines. Then I looked for the major shadow shapes and outline them, then the features.

I belive I got a "blurry likeness" so far, thing that tells me that I'm in the right path. Now I only need to refine things, corret that eye and the big nose (that's realistic, I do have a big potato nose). But the motivation is up, I know I can finish it, so now I can post. I hadn't before but I know the rules and saved as many progress files as I could.

PLEASE, LET ME KNOW IF THE IMAGES LOOK TOO DARK, I'm painting in a Mac notebook wich has the brightest screen I ever seen, there it looks great but in the PC screen at work looks dark and lost lot's of textures and detail...

segunda-feira, 28 de julho de 2008

Aira - Character Design

Update:



First version:


"Her name is Aira. She's dead but doesn't belive it. She is around the living, but nobody can see her. It's all about loneliness." I.B.

Igor na home do PixelBrush

O pixmaker, moderador do fórum PixelBrush.net escolheu uma pintura minha como destaque para o tema dessa semana da seção de speedpainting. Yesssss! Meu nome e parte de minha pintura estão no banner da home do fórum. Além disso, no post do tema tem uma descrição do meu trabalho e um link pro sitedoigor.com

http://www.pixelbrush.net/forum/
e
http://www.pixelbrush.net/forum/viewforum.php?f=38



quarta-feira, 23 de julho de 2008

SinCity - Becky


Usei como referência um wallpaper do site oficial do filme SinCity. É a personagem Becky, uma das minhas favoritas da história. 2 horas, photoshop.

terça-feira, 22 de julho de 2008

The sin colector


1 hora, photoshop, inspirado por um personagem de Cole Eastburn.

quinta-feira, 17 de julho de 2008

cute - 2


Rabiscos à lápis no caderno do trampo.

quarta-feira, 16 de julho de 2008

tree


Esboço à lapis para ilustração e animação em vetor.


Não aguentei e fiz um novo Desktop pro PC do trampo.

segunda-feira, 14 de julho de 2008

cute - 1



1 hora, durante a pausa da hora do almoço, o tema era "cute".

segunda-feira, 7 de julho de 2008

quinta-feira, 3 de julho de 2008

Carpa



Uma carpa especial, porque mesmo sem ter a barbatana esquerda, desafia sua própria natureza e nada contra a corrente. Inspirado por um texto da Chel

Speedpainting, 1hora e meia na hora do almoço, Photoshop CS2, direto no brush, sem desenho. Usei referencia do Wikipedia.